Advertising the new show Alter Ego on Fox for the KidzBop show. One week turnaround.

Past Music Video work where I directed, shot, and edited.

During my internship at Refinery29, I assisted editing asset videos for Creative Services team. This is my reel of all assets I worked on and help make. I hope you enjoy

Here is a reel of some documentary films I worked on. These are the titles and positions I managed. They are in no particular order. 1: Blessing Cinematographer 2: LIES Director, producer, cinematographer, and editor 3: Bloom - a spoken word poem about love Director, cinematographer, and editor 4:Sokeo's Everett Story Director, producer, cinematographer, and editor 5: Picture Me Diector, producer, cinematographer, and editor 6: Gloria and Kevin's Wedding Assistant videographer 7: Katelyn and Mile's Wedding Assistant videographer 8:Jan and Andrew's Wedding Assistant videographer 9: Allison and Matt's Wedding Assistant videographer

Documentary short that was broadcasted on ShortsTV. Won best documentary at LA Short Film Festival and Spring Shorts Film Festival. I was the videographer, assistant editor, and colorist for this film.

As stated on Erica Sellers website, www.ericasellers.com: From the Great Serpent Jörmungandr in Norse mythology to the snake that seduced Eve in the “Garden of Eden,” reptilian creatures have always managed to influence and shape storytelling. The serpent as a symbol has been ever-present throughout the ages: from manipulative and cunning to healing and fertile, the role of the serpent is vast and unending. Thus, I began to question what role the snake represented in my own mythology. I designed and created the ultimate “snake chair” based on my Judeo-Christian upbringing, questioning the narratives that were fed to me. The “Garden of Eden” chair is made of laser-cut clear acrylic designed to be erected into twelve separate compartments. For the duration of this experimental project, each compartment housed its own ecosystem and snake. The snakes were placed into these separate ecosystems for a period of a few hours and carefully watched. The viewer and the snakes could see and sense the other environments and snakes in their separate compartments but could not directly interact with one another. This all seems eerily relevant to the reality in which we exist today with the COVID-19 pandemic affecting the world at large. This project also questions morality, ethics, and boundaries—and who or what defines these narratives we come to believe are true. Don’t we have some volition to create our own realities? In each of the twelve compartments also exists a 3D printed form based on a soundbite. Each form suggests a key phrase from a step of the twelve-step program. This chair symbolizes growth and healing through a particularly strange and emotional time.

Like a Polaroid Performed by Vardaan Arora Cinematography by Erica Moon Directed by Erica Moon, Nicole Kang Produced by Nicole Kang Choreographed by Nia Brantly Edited by Hannah Yi Featuring Alicia Nicole, DeWayne Garland Special thanks to Yuntong Man, Brooks Brantly

Directed and edited two part video series for Erica Sellers Snake Chair. As stated on Erica Sellers website www.ericasellers.com: From the Great Serpent Jörmungandr in Norse mythology to the snake that seduced Eve in the “Garden of Eden,” reptilian creatures have always managed to influence and shape storytelling. The serpent as a symbol has been ever-present throughout the ages: from manipulative and cunning to healing and fertile, the role of the serpent is vast and unending. Thus, I began to question what role the snake represented in my own mythology. I designed and created the ultimate “snake chair” based on my Judeo-Christian upbringing, questioning the narratives that were fed to me. The “Garden of Eden” chair is made of laser-cut clear acrylic designed to be erected into twelve separate compartments. For the duration of this experimental project, each compartment housed its own ecosystem and snake. The snakes were placed into these separate ecosystems for a period of a few hours and carefully watched. The viewer and the snakes could see and sense the other environments and snakes in their separate compartments but could not directly interact with one another. This all seems eerily relevant to the reality in which we exist today with the COVID-19 pandemic affecting the world at large. This project also questions morality, ethics, and boundaries—and who or what defines these narratives we come to believe are true. Don’t we have some volition to create our own realities? In each of the twelve compartments also exists a 3D printed form based on a soundbite. Each form suggests a key phrase from a step of the twelve-step program. This chair symbolizes growth and healing through a particularly strange and emotional time.

A short music video made on a creative getaway weekend trip where I helped direct and edit the film. Directors and Editors: Hannah Yi Erica Moon Performer: Lucy Hu Drone flyers: Leon Wu Ray Deng Makeup and Sound Mixer: Erica Moon Excited to make more crazy things with my amazing friends.